News and Updates
Color Correction for Any Project
Your program's not finished until it's color corrected. My suite is capable of accommodating SD, HD, PAL, or NTSC projects in a professional and relaxed atmosphere.
Based in midtown Manhattan, I'm available for color correction, digital VFX, and online editorial. I have in-depth experience with Apple's Color, Final Cut Pro, and Shake; I also employ Imagineer Systems Mokey, Adobe's After Effects, and Photoshop in supporting roles. (link)
Four Weeks, Four Hours Screening in New York on August 13th
My feature Four Weeks, Four Hours is screening at the NewFilmmakers Series at the Anthology Film Archives, located here. Check out the official Four Weeks, Four Hours website, then come see it on the big screen!
The continued success of this project has been incredibly gratifying. It's already had six terrifically successful festival screenings, having been included in the San Fernando Valley Film Festival in Los Angeles, the Longbaugh Film Festival in Portland, Oregon, the ReelHeART International Film Festival in Toronto, Ontario, the 26th annual Breckenridge Film Festival, the Salento Film Festival in Tricase, Italy, and at the Hollywood FAIF International Film Festival.
Post Production Highlights
In June of 2008 I color corrected a series of four spots for Harrah's casinos for producer Matt Pellowski.
I also color corrected a set of music video b-roll outtakes for the compilation video Lights Out.
In May of 2008 I graded the HD narrative feature Oral Fixation for director Jake Cashill.
Later that month I color corrected director Liz Chae's hour long HD documentary, The Last Mermaids.
To date I've also color corrected seven episodes of Survival School, an upcoming HD reality series for the Mojo network on behalf of Amigo Media for Sirens Media.
In April I color corrected the HD narrative short subject La Juerga for director Michael Hill.
In March, I color corrected a 30 second Degree spot for broadcast featuring Ashley Tisdale for editor David Gater at Soho Editors.
In February, I color corrected the HD short subject The Business, by director Rob Lyons.
In September of 2007 I color corrected Entry of Buildings, a short film produced by Marble and Clay and directed by Gil Selzer. You can see the whole program online at the Entry of Buildings website.
In June of 2007 I re-graded a project that I had previously worked on, actor/director Kaylynn Raschke's short subject, Sleep Tight.
She had been wanting to do a recut of this DV originated project, so after the reedit, I took the opportunity to regrade the entire project using Color.
In April of 2007 I color corrected director John Magary's high definition short subject The Second Line, a drama of greed and despair in post-Katrina New Orleans. Shot in Super 16, the source negative was transferred to D5 at Postworks, and later captured as 1080p, 10-bit Uncompressed media for digital grading.
The Second Line was a finalist for the 2007 Student Academy Awards, and has been accepted to the 2008 Sundance Film Festival.
Also in April, I color corrected director Myna Joseph's short subject, Man. Like The Second Line, this coming-of-age drama was also shot in Super 16, transferred, and ultimately captured as 1080p, 10-bit Uncompressed HD. Man has also been accepted to the 2008 Sundance Film Festival.
In March of 2007 I color corrected Director Matt Kohn's architectural documentary Site Specific, produced by Metropolis Magazine. Shot and edited in DVCPRO HD, this project combined still images that I color corrected in Photoshop in addition to the source video. Site Specific was featured in the 2007 Sarasota film festival, as well as the the 2007 IFP Film Market.
In January of 2007 I edited and color corrected a series of web promos for writer/director Andrew Kessler.
These web-only promotional videos are based off of a series of situational television ads with the same personalities.
