News and Updates
Color Correction for Any Project
I've recently upgraded my color correction suite with a THX-video calibrated HD projection system. Your program's not finished until it's color corrected. My suite is capable of accommodating SD, HD, PAL, or NTSC projects in a professional and relaxed atmosphere.
Based in midtown Manhattan, I'm available for color correction, digital VFX, and online editorial. I have in-depth experience with Apple's Color, Final Cut Pro, and Shake; I also employ Imagineer System's Mokey, Adobe After Effects, and Photoshop in supporting roles. Please visit my color page.
Four Weeks, Four Hours
My feature Four Weeks, Four Hours most recently screened as part of the NewFilmmakers Series at the Anthology Film Archives. For a preview and more information, visit the official Four Weeks, Four Hours website.
The continued success of this project has been incredibly gratifying. It's had six well-attended festival screenings, having been included in the San Fernando Valley Film Festival in Los Angeles, the Longbaugh Film Festival in Portland, Oregon, the ReelHeART International Film Festival in Toronto, Ontario, the 26th annual Breckenridge Film Festival, the Salento Film Festival in Tricase, Italy, and at Hollywood's FAIF Int'l Film Festival.
Post Production Highlights
For a more comprehensive listing of the programs I've worked on, as well as samples, my quote form, and other information about how we can work together, visit my color correction page.
Throughout 2008 I color corrected the entire season of MOJO HD network's Survival School, airing now. It's produced by Sirens Media, with finishing performed by my good friends at D.C.-based Amigo Media.
In August I graded director Kimberley Reed's documentary feature Prodigal Sons, which premiered at the 2008 Telluride Film Festival. It has since screened at the AFI Fest, the 15th Sheffield Doc Fest, the Stars Denver Film Festival, and on the BBC.
In June I color corrected a series of four spots for Harrah's casinos, for producer Matt Pellowski.
I also color corrected a set of music video b-roll outtakes for the compilation video Lights Out.
In May I graded the HD narrative feature Oral Fixation for director Jake Cashill.
Later that month I color corrected director Liz Chae's hour long HD documentary, The Last Mermaids.
In April I color corrected the HD narrative short subject La Juerga for director Michael Hill.
In March, I color corrected a 30 second Degree spot for broadcast featuring Ashley Tisdale for editor David Gater at Soho Editors.
In February, I color corrected the HD short subject The Business, by director Rob Lyons.
In 2007 I re-graded a project that I had previously worked on, actor/director Kaylynn Raschke's short subject, Sleep Tight.
That April I color corrected director John Magary's high definition short subject The Second Line, a drama of greed and despair in post-Katrina New Orleans. Shot in Super 16, the source negative was transferred to D5 at Postworks, and later captured as 1080p, 10-bit Uncompressed media for digital grading. It was a finalist for the 2007 Student Academy Awards, and screened at the 2008 Sundance Film Festival.
I also color corrected director Myna Joseph's short subject, Man. Like The Second Line, this coming-of-age drama was also shot in Super 16, transferred, and ultimately captured as 1080p, 10-bit Uncompressed HD. Man also screened at the 2008 Sundance Film Festival.
